14. The Paragraph
Class Introduction: What Happens When We Keep Secrets?08:05 2
Name Your Obsessions13:09 3
Stick to Your Story16:57 4
Identify Your Journey06:27 5
Identify Your Journey Take Your Story Apart15:38 6
The Landing Place09:05 7
The Honesty Question05:12 8
What's the Worst That Can Happen?06:34
Descriptive Versus Interpretive Language10:52 10
Diagramming the Sentence09:25 11
The Importance of Economy09:45 12
Dialogue and Rhythm09:09 13
Six Common Mistakes Writers Make08:09 14
The Paragraph02:52 15
Building the Arc03:07 16
The Test of a Good Memoir17:21 17
The Container04:21 18
Two Containers From Scratch30:03 19
Developing Your Container17:46 20
Dissecting a Good Container Essay29:36 21
The Writing Life02:35 22
Creating a Writing Practice21:39 23
What Gets in Your Way?15:11 24
The Non-Writing Process10:57 25
Criticism and Rejection03:57 26
What Happens When We Tell Our Truth?31:47
Now I've already said how I believe in economy of words and really think hard before you add another word to your piece of writing, but an indentation is free. (laughs) It costs you nothing and it shouldn't be random and arbitrary. It's not one of those things where you've written six sentences it's about time you indent. Indent means something and what it means is, you're moving forward in your story. Old, bad, fuddy-duddy English teachers used to talk about the topic sentence of the paragraph and say they'd things like first say what your paragraph is going to be about, then say it, then say what you've just said. Forget all that. Those English teachers are dead now and I'm not missing them. But the paragraph is a real tool. The indentation is a real tool that tells me that the story is progressing. I always think, I'm going to act this one out. I always think of a story that I tell or an essay that I write as a road trip and because I started out my life and was, for many years, liv...
ing on the East Coast and now I live in California. I picture starting out in Maine on this road trip and ending up in California and I would actually say to a student of mine or just to myself writing. Okay, now I'm in Maine, now I'm in about Vermont and now I'm in New York and now I'm in Ohio and now I'm probably right around the Rocky Mountains. That's kind of like the conflict, tension part of my story and then my landing place is California. Every one of those indents is like a stop on your road trip. Look at that. Does that inspire you to read this paragraph? No. We need a little help here. Especially now. Especially in these days when our attention spans have all been diminished by the Internet and so much else going on in the world. We need to break it down and incidentally something that will help you a lot in your own writing is a little test. Name. Give names to your paragraphs. I don't mean that ultimately for your reader, you show your readers these names, but name them for yourself and if you're doing a good job with your story telling, if you've created a nice road trip with a steady forward motion, just reading the list of the names will sound like a story. And maybe you get, maybe you stay for about three paragraphs on one, in one state where you kind of linger where there are a lot of diners with good pie there or whatever, but still we will feel there are distinct subjects for each of those paragraphs.
Ratings and Reviews
Joyce Maynard will meet her writing students exactly where many of us find ourselves stranded: at that point in the road where our creative impulse and need for expression begins to lose breath but our sense of story and good writing habits may falter. Her teaching is a glorious, energetic, engaged alchemy of encouragement, permission for wild creativity, and feet-on-the-ground, pencil-to-paper, lessons for organizing and writing your own story. I left this incredible day empowered to tell mine, and totally unafraid to let go of what does not fit into the narrative. She gives concrete examples of good writing, shows you exactly why it's good, as well as hilarious bits of not-so-good writing. Yes, this is a memoir class, but the lessons are simply excellent rules for good writing. The syllabus is ambitious, but Ms. Maynard's practical magic is her gift to render all of this utterly do-able. I loved every minute, left inspired by the entire experience, and profoundly grateful for her wisdom and humor. Thank you!
This was a wonderful class, the best I’ve taken, even though I wasn’t there in person! Joyce is an inspiring teacher who makes you feel like your stories matter and guides you toward identifying which narratives to tell and how best to tell them — very few writing classes delve into the mechanics in this way and I really appreciated it. I also appreciated some of her more unusual advice — like that it’s important to think about what you want to write, sometimes for a long time, before you start. By going through students’ stories and providing lots of examples of the principles she teaches, you can see how to adapt the lessons to your own work, and I’ve already started doing so. I also found Joyce very compassionate about issues around privacy and shame and everything that comes up when people share personal stories, and very generous in sharing her own experiences so it’s clear she knows what she’s talking about. I recommend this class wholeheartedly.
Thank you so much for your brilliant course, Joyce Maynard. I am blown away by how much I've learned from you, and how warmly and joyfully you've imparted your wisdom, your skills as a writer and your own beautiful humanity. I am so grateful for this experience. You are not only a gifted storyteller, but a truly gifted teacher, and a delightful, inspiring human being. I hope to learn from you in person in Lake Atitlan at some point in the future.