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Cases

Lesson 62 from: Fundamentals of Photography

John Greengo

Cases

Lesson 62 from: Fundamentals of Photography

John Greengo

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Lesson Info

62. Cases

Lessons

Class Trailer
1

Class Introduction

23:32
2

Photographic Characteristics

06:46
3

Camera Types

03:03
4

Viewing System

22:09
5

Lens System

24:38
6

Shutter System

12:56
7

Shutter Speed Basics

10:16
8

Shutter Speed Effects

31:57
9

Camera & Lens Stabilization

11:06
10

Quiz: Shutter Speeds

07:55
11

Camera Settings Overview

16:12
12

Drive Mode & Buffer

04:24
13

Camera Settings - Details

10:21
14

Sensor Size: Basics

18:26
15

Sensor Sizes: Compared

24:52
16

The Sensor - Pixels

22:49
17

Sensor Size - ISO

26:59
18

Focal Length

11:36
19

Angle of View

31:29
20

Practicing Angle of View

04:59
21

Quiz: Focal Length

08:15
22

Fisheye Lens

12:32
23

Tilt & Shift Lens

20:37
24

Subject Zone

13:16
25

Lens Speed

09:03
26

Aperture

08:25
27

Depth of Field (DOF)

21:46
28

Quiz: Apertures

08:22
29

Lens Quality

07:06
30

Light Meter Basics

09:04
31

Histogram

11:48
32

Quiz: Histogram

09:07
33

Dynamic Range

07:25
34

Exposure Modes

35:15
35

Sunny 16 Rule

04:31
36

Exposure Bracketing

08:08
37

Exposure Values

20:01
38

Quiz: Exposure

20:44
39

Focusing Basics

13:08
40

Auto Focus (AF)

24:39
41

Focus Points

17:18
42

Focus Tracking

19:26
43

Focusing Q&A

06:40
44

Manual Focus

07:14
45

Digital Focus Assistance

07:35
46

Shutter Speeds & Depth of Field (DOF)

05:18
47

Quiz: Depth of Field

15:54
48

DOF Preview & Focusing Screens

04:55
49

Lens Sharpness

11:08
50

Camera Movement

11:29
51

Advanced Techniques

15:15
52

Quiz: Hyperfocal Distance

07:14
53

Auto Focus Calibration

05:15
54

Focus Stacking

07:58
55

Quiz: Focus Problems

18:54
56

Camera Accessories

32:41
57

Lens Accessories

29:24
58

Lens Adaptors & Cleaning

13:14
59

Macro

13:02
60

Flash & Lighting

04:47
61

Tripods

14:13
62

Cases

06:07
63

Being a Photographer

11:29
64

Natural Light: Direct Sunlight

28:37
65

Natural Light: Indirect Sunlight

15:57
66

Natural Light: Mixed

04:20
67

Twilight: Sunrise & Sunset Light

22:21
68

Cloud & Color Pop: Sunrise & Sunset Light

06:40
69

Silhouette & Starburst: Sunrise & Sunset Light

07:28
70

Golden Hour: Sunrise & Sunset Light

07:52
71

Quiz: Lighting

05:42
72

Light Management

10:46
73

Flash Fundamentals

12:06
74

Speedlights

04:12
75

Built-In & Add-On Flash

10:47
76

Off-Camera Flash

25:48
77

Off-Camera Flash For Portraits

15:36
78

Advanced Flash Techniques

08:22
79

Editing Assessments & Goals

08:57
80

Editing Set-Up

06:59
81

Importing Images

03:59
82

Organizing Your Images

32:41
83

Culling Images

13:57
84

Categories of Development

30:59
85

Adjusting Exposure

08:03
86

Remove Distractions

04:02
87

Cropping Your Images

09:53
88

Composition Basics

26:36
89

Point of View

28:56
90

Angle of View

14:35
91

Subject Placement

23:22
92

Framing Your Shot

07:27
93

Foreground & Background & Scale

03:51
94

Rule of Odds

05:00
95

Bad Composition

07:31
96

Multi-Shot Techniques

19:08
97

Pixel Shift, Time Lapse, Selective Cloning & Noise Reduction

12:24
98

Human Vision vs The Camera

23:32
99

Visual Perception

10:43
100

Quiz: Visual Balance

14:05
101

Visual Drama

16:45
102

Elements of Design

09:24
103

Texture & Negative Space

03:57
104

Black & White & Color

10:33
105

The Photographic Process

09:08
106

Working the Shot

25:29
107

What Makes a Great Photograph?

07:01

Lesson Info

Cases

Finally and this is a pretty quick section on cases. They've said that there is no perfect camera bag. I disagree, there is a perfect camera bag but it's only good for one thing. That's the problem with camera bags. There are kind of designed for a purpose. Back in the days, we had these little camera cases and they are called ever ready cases, but the folks at the camera store call them never ready cases 'cause your camera is never ready to shoot in them. And do often times you start with a basic camera in a basic little camera bag and as soon as you buy an extra lens, you gotta buy an extra case for that lens. And eventually most people end up in a shoulder bag, and these are very convenient bags to work with. Here are a few of my favorite manufacturers of these different bags, and of course you're buying a bag that fits your needs. One of the best advice I ever got from a mentor I was working with at the camera store was whatever bag you have, you will fill it. And so the advice tha...

t I come away with that is if you would like to find your perfect camera system, it sounds like a joke but I'm very serious about this. If you wanna find the perfect camera system for you, go to the camera store and look at camera bags, and think about how would you like to carry this around all the time. Is this gonna be your best friend, take the camera bag that you like the most, go over to the camera counter and see what can fit inside it. Because that's what you end up walking around with, not your camera. It's your camera bag and all the stuff in it and so that is important, and I tend not to throw camera bags away or give them a way 'cause there's always another purpose for them. There are hard cases and these are great for traveling on airplanes or in cars, if you have larger equipment. Putting them on rollers allows you to carry more equipment. With the sling bags, my main tip here is don't try to over fill these bags. Don't try to carry too much in a sling bag. It's really good for a body and two lenses. Do anything more than that, they start riding incorrectly and are not comfortable on the body. If that's the case, you need to go to a back pack system. Bag packs are my favorite way because it's the easiest way to carry a large amount of equipment from place to place. I do have a couple of different back packs and these are a few of my favorite ones depending on how much gear and what other things I need to bring along with me. It's finding something that's comfortable that works the way that you want. There's a lot of good models out there. These are just a few of the ones that I've experienced that I like and it's what I tend to shoot with when I am very serious. The other things that I use is I use shoulder bags when I need to be a little bit more accessible in the camera bag. This is more when I wanna get to a destination and then I'm gonna shoot there and I'm gonna load it all up and go to the next place. If you want to be shooting in between, that's when the shoulder bag becomes a lot more convenient. Okay so we don't have to go through everything and although the specific brand recommendations, but when you're looking, people were curious about the filters and graduated filters and in particular. What are the things that you should look for in terms of quality when you're looking at which filters to choose? Right, that can be a little bit harder one to figure out because there's not just a universal standardized rating number to look at on that. But I have found in general, you do get what you pay for, and there are $10 filters that are really worth $10. And a good filter for UV is usually gonna be $25-$ depending on the size. A polarizing filter is probably gonna be $50 to $ and there is always a way of making something cheaper. There's always a way. There's company out there going how can we do almost this product but let's make it cheaper and then we'll just lower and lower the quality. So Tiffen and Hoya makes some good filters. B+W also makes really good filters. Those will be three big names to look at there. Great, thank you. And also in terms of quality. A question had come in about when they're talking about the extenders. Are there some that are better than others or are they kinda just tubes that do the same thing? So the extenders, so we're talking about the extension tubes or as Canon calls them. Extenders known as teleconverters do you think? Yeah? They said extenders so I'm not sure. Extenders well I'm thinking they're talking about extension tubes and so there's no glass in them. So there's not quality difference in the optics. But the mechanisms of how they connect together. How strong are there. How well do they hold larger lenses. That could vary from manufacturer to manufacturer and so I got the official Canon ones, which work very smoothly and very nicely, but I believe one of the other brands was Kingco, that sells a three package set that is a very good value that works quite well as well. And I think there's a bunch of them out there on the market as well. Fantastic, thank you. Lee Gardner had asked what filter is best for black and white photos? Is there a difference when you're looking back? So black and white photography is a whole other thing and that's when you can start using color filters that affect the colors that you're recording. And so for instance if you use a red filter, it's gonna make the blue sky very dark and so we're not gonna get into all of that right now. And so that's a whole separate issue that I don't think we're gonna have time to get into. Okay, maybe one more. This one was from Neil, who said what happens when you use a speed booster with a full frame lens, was there a difference there? A speed booster, well it could be possible with a full frame camera, is that correct full frame camera? Yeah, sorry. With a full frame camera, the problem is that you're gonna need a lens that produces an even larger image circle than full frame and what does that medium format and large format, so you would need an adapter that fits like a hassi-blad or a miel lens onto your full frame camera. So it is certainly theoretically possible I don't know that anyone makes one at this time.

Class Materials

Bonus Materials with Purchase

Fundamentals of Photography Class Outline
Learning Projects Workbook
Camera Keynote PDF
Sensor Keynote PDF
Lens Keynote PDF
Exposure Keynote PDF
Focus Keynote PDF
Gadgets Keynote PDF
Lighting Keynote PDF
Editing Keynote PDF
Composition Keynote PDF
Photographic Vision Keynote PDF

Ratings and Reviews

a Creativelive Student
 

Love love all John Greengo classes! Wish to have had him decades ago with this info, but no internet then!! John is the greatest photography teacher I have seen out there, and I watch a lot of Creative Live classes and folks on YouTube too. John is so detailed and there are a ton of ah ha moments for me and I know lots of others. I think I own 4 John Greengo classes so far and want to add this one and Travel Photography!! I just drop everything to watch John on Creative Live. I wish sometime soon he would teach a Lightroom class and his knowledge on photography post editing.!!! That would probably take a LOT OF TIME but I know John would explain it soooooo good, like he does all his Photography classes!! Thank you Creative Live for having such a wonderful instructor with John Greengo!! Make more classes John, for just love them and soak it up! There is soooo much to learn and sometimes just so overwhelming. Is there anyway you might do a Motivation class!!?? Like do this button for this day, and try this technique for a week, or post this subject for this week, etc. Motivation and inspiration, and playing around with what you teach, needed so much and would be so fun.!! Just saying??? Awaiting gadgets class now, while waiting for lunch break to be over. All the filters and gadgets, oh my. Thank you thank you for all you teach John, You are truly a wonderful wonderful instructor and I would highly recommend folks listening and buying your classes.

Eve
 

I don't think that adjectives like beautiful, fantastic or excellent can describe the course and classes with John Greengo well enough. I've just bought my first camera and I am a total amateur but I fell in love with photography while watching the classes with John. It is fun, clear, understandable, entertaining, informative and and and. He is not only a fabulous photographer but a great teacher as well. Easy to follow, clear explanations and fantastic visuals. The only disadvantage I can list here that he is sooooo good that keeps me from going out to shoot as I am just glued to the screen. :-) Don't miss it and well worth the money invested! Thank you John!

JUAN SOL
 

Dear John, thanks for this outstanding classes. You are not only a great photographer and instructor, but your classes are pleasant, they are not boring, with a good sense of humor, they go straight to the point and have a good time listening to you. Please, keep teaching what you like most, and I will continue to look for your classes. And thanks for using a plain English, that it's important for people who has another language as native language. Thanks again, Juan

Student Work

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