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Adobe Photoshop: The Complete Guide Bootcamp

Lesson 47 of 118

Retouching with the Spot Healing Brush

Ben Willmore

Adobe Photoshop: The Complete Guide Bootcamp

Ben Willmore

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Lesson Info

47. Retouching with the Spot Healing Brush

Lessons

Class Trailer
1

Introduction To Adobe Photoshop

04:05
2

Bridge vs. Lightroom

06:39
3

Tour of Photoshop Interface

18:21
4

Overview of Bridge Workspace

07:42
5

Overview of Lightroom Workspace

11:21
6

Lightroom Preferences - Saving Documents

08:19
7

How To Use Camera Raw in Adobe Photoshop 2020

05:10
8

Overview of Basic Adjustment Sliders

13:09
9

Developing Raw Images

30:33
10

Editing with the Effects and HLS Tabs

09:12
11

How to Save Images

03:37
12

Using the Transform Tool

04:48
13

Making Selections in Adobe Photoshop 2020

06:03
14

Selection Tools

05:55
15

Combining Selection Tools

07:37
16

Using Automated Selection Tools

17:34
17

Quick Mask Mode

05:07
18

Select Menu Essentials

21:28
19

Using Layers in Adobe Photoshop 2020

13:00
20

Align Active Layers

07:29
21

Creating a New Layer

06:15
22

Creating a Clipping Mask

03:02
23

Using Effects on Layers

11:24
24

Using Adjustment Layers

16:44
25

Using the Shape Tool

04:39
26

Create a Layer Mask Using the Selection Tool

04:39
27

Masking Multiple Images Together

15:15
28

Using Layer Masks to Remove People

10:50
29

Using Layer Masks to Replace Sky

10:04
30

Adding Texture to Images

09:11
31

Layering to Create Realistic Depth

05:35
32

Adjustment Layers in Adobe Photoshop 2020

05:29
33

Optimizing Grayscale with Levels

10:59
34

Adjusting Levels with a Histogram

03:37
35

Understanding Curves

06:18
36

Editing an Image Using Curves

18:41
37

Editing with Shadows/Highlights Adjustment

07:19
38

Dodge and Burn Using Quick Mask Mode

07:14
39

Editing with Blending Modes

08:04
40

Color Theory

05:59
41

Curves for Color

16:52
42

Hue and Saturation Adjustments

08:59
43

Isolating Colors Using Hue/Saturation Adjustment

13:33
44

Match Colors Using Numbers

16:59
45

Adjusting Skin Tones

05:25
46

Retouching Essentials In Adobe Camera Raw

10:52
47

Retouching with the Spot Healing Brush

07:53
48

Retouching with the Clone Stamp

06:51
49

Retouching with the Healing Brush

04:34
50

Retouching Using Multiple Retouching Tools

13:07
51

Extending an Edge with Content Aware

03:42
52

Clone Between Documents

13:19
53

Crop Tool

10:07
54

Frame Tool

02:59
55

Eye Dropper and Color Sampler Tools

08:14
56

Paint Brush Tools

13:33
57

History Brush Tool

06:27
58

Eraser and Gradient Tools

03:06
59

Brush Flow and Opacity Settings

04:17
60

Blur and Shape Tools

11:06
61

Dissolve Mode

09:24
62

Multiply Mode

15:29
63

Screen Mode

14:08
64

Hard Light Mode

14:54
65

Hue, Saturation, and Color Modes

11:31
66

Smart Filters

11:32
67

High Pass Filter

13:40
68

Blur Filter

05:59
69

Filter Gallery

07:42
70

Adaptive Wide Angle Filter

04:43
71

Combing Filters and Features

04:45
72

Select and Mask

20:04
73

Manually Select and Mask

08:08
74

Creating a Clean Background

21:19
75

Changing the Background

13:34
76

Smart Object Overview

08:37
77

Nested Smart Objects

09:55
78

Scale and Warp Smart Objects

09:08
79

Replace Contents

06:55
80

Raw Smart Objects

10:20
81

Multiple Instances of a Smart Object

12:59
82

Creating a Mockup Using Smart Objects

05:42
83

Panoramas

13:15
84

HDR

11:20
85

Focus Stacking

04:02
86

Time-lapse

11:18
87

Light Painting Composite

08:05
88

Remove Moire Patterns

06:11
89

Remove Similar Objects At Once

09:52
90

Remove Objects Across an Entire Image

05:46
91

Replace a Repeating Pattern

06:50
92

Clone from Multiple Areas Using the Clone Source Panel

10:27
93

Remove an Object with a Complex Background

07:49
94

Frequency Separation to Remove Staining and Blemishes

12:27
95

Warping

11:03
96

Liquify

14:02
97

Puppet Warp

12:52
98

Displacement Map

10:36
99

Polar Coordinates

07:19
100

Organize Your Layers

11:02
101

Layer Styles: Bevel and Emboss

02:59
102

Layer Style: Knockout Deep

12:34
103

Blending Options: Blend if

13:18
104

Blending Options: Colorize Black and White Image

06:27
105

Layer Comps

08:30
106

Black-Only Shadows

06:07
107

Create a Content Aware Fill Action

08:46
108

Create a Desaturate Edges Action

07:42
109

Create an Antique Color Action

13:52
110

Create a Contour Map Action

10:20
111

Faux Sunset Action

07:20
112

Photo Credit Action

05:54
113

Create Sharable Actions

07:31
114

Common Troubleshooting Issues Part 1

10:23
115

Common Troubleshooting Issues Part 2

07:57
116

Image Compatibility with Lightroom

03:29
117

Scratch Disk Is Full

06:02
118

Preview Thumbnail

02:10

Lesson Info

Retouching with the Spot Healing Brush

were very limited in what we can do here in camera. And I would rather spend our time learning the really powerful retouching stuff. So let's go in and take a look. It would photo shop offers in photo shop we have three main tools will be using. That is the clone stamp tool, the healing brush in the spot healing brush. If you get used to all three of those tools and you truly understand how they work, then you'll be able to tackle most retouching jobs. So in here we have some tourists in Iceland and I would like to remove them from my photograph. I'm gonna go to my tools panel and there I'm going to find this lot right below the eyedropper tool. And that's where I'm gonna find the spot healing brush with the spot healing brush active. I'm gonna use a hard edge brush any time I use a tool that has the word healing attached. I almost always use a hard edge brush. If I use a soft edged brush, then the tool will not have control all the way out to the edge of war. My brushes, because of th...

e soft edge it will force it to fade out. Well, if it's trying to precisely match both the color in the brightness out there on the edge, it won't be able to with that soft brush. So it's only with the heart of brush that it will have full control all the way out to the edge. So I'm just gonna go on top of these people that are here and with a hard edge brush in the spot, healing brush active, I'm gonna click. And before I let go, I'm gonna paint over the entirety of what needs to be removed. And since this one person is in contact is touching the other, I'm gonna paint over them as well. And only when I got the entire thing covered am I gonna release the Mass? But now, because this tool has the word healing in its name, that means it's going to attempt to match both the brightness and the color of whatever is right on the edge of where I've painted. And that's why I did not paint over so far that I would just about be touching the guy to the left if I did extend far enough where I just touched him than it would attempt to try to match it because it would be touching the edge. So let go. And that's not bad, other than this area down here where the walking path got broken. So I'll just click on that area and see if it does an okay job. Often times I need to just get a smaller and smaller brush to get into those tighter areas. Then I'll go to the next person and do that as well, making sure I cover the entirety of it. I don't want to stop halfway. I'll choose, undo just for a moment. If I do stop halfway, let's say it started the top and I worked down like this. Well, now it assumes that it's supposed to match the brightness and color of everything that's right outside of that. So at the bottom, you see black pants, and therefore it thinks it needs to match a black object. Therefore, it might choose to grab some of the rocks that are above into the right to make it look like it's appropriate to, you know, match with those pants. Let's see, well, it extended the pants up at least. And so instead, I want to paint over the entirety of the object, because then what is out there on the edges? What it should end up matching, and it's relatively easy to remove those people now. So far I've been working directly on the layer that contains the original picture. And that's not what I would usually suggest. Because if you mess up and you happen and not notice until you've already closed that image, maybe you noticed it a month later when you're making a big print, while is impossible for me to bring back those people using just the information that's in this file because look in my layers panel, the people just aren't found anywhere. So what I'm gonna do now is Revert this picture that's gonna bring it back to its original version in before I actually do the retouching. I'd go in my layers panel, and I create a brand new empty layer by clicking on the new layer icon. And then when I go to my healing brush, I need to make sure up here in my options bar that this check box right here called Sample all layers is turned on the default setting would have it turned off. So I gotta have that turned on. Otherwise, when it's turned off, it only looks at the layer that's currently active, and that's the only layer it be able to copy from, well, that layers empty. So this tool just would not work whatsoever if that check box wasn't turned on and I was working on an empty layer. But now I can come in here and reach out, touch out the same people, and because I'm working on an empty layer, my results they're not permanent because the original untouched picture can still be found at the bottom of my layers pounds, and therefore all you need to do to see before and after is to turn off the eyeball on that layer to reveal the original picture that's underneath. Turn the I buy back on, and I see my results. And if I hide the layer that's underneath, I can see just the retouching. Now, after you have applied retouching like that, I suggest that you zoom up and you be a little bit critical of it because you'll often find repeated shapes. For instance, here, if you see some yellow flowers right here within kind of a darker mass. That is a blatant copy of this area right here. And so if you end up doing retouching, it can often be obvious if you don't look for those things. And so I'll look for blatant repeat, so get a smaller brush and then I'll try to break them up so it doesn't look like exactly like another area within the image. Also here I see kind of a distinct shape that looks very similar to this one, and I don't always retouch out the one that I've just created. It's a repeat. Sometimes I go back to the original one. Retouch it out instead. What? I try to look for those repeats and see if I can break them up to make them not look quite the same here. This area looks just about identical to that area, so break one of them up, and if it refuses to retouch something out, that's when you tackle the other repeat, and if it still won't do it either connected to together, I don't force them to get rid of it or just switched to a different tool. Pretty much this tool is the one that picks for you, where to copy from and I give it three strikes and then it's out, meaning three tries to fix an area. And if it messes up three times, I switched to a different tool, and the other tool will most likely be a more manual application. But it's gonna be something gives you more control or more influence, at least over the end result. That's more people here, but you can see that just the single tool is often enough to tackle most simple retouching jobs. All our people were gone. That's the spot healing brush in the spot. Healing Brush picks a location on its own to copy from an. Oftentimes, it's a mix of surrounding elements. It's not always a blatant large area. Eso it could do a very nice job, but at the same time it's very common for it to mess up and you have to take control

Class Description

All individual classes that make up this bootcamp are also available here for individual purchase.

AFTER THIS CLASS YOU’LL BE ABLE TO:

  • Develop an understanding of how Photoshop works
  • Create your ideal workspace
  • Configure the essential preference settings
  • Set up Adobe Bridge and Lightroom for optimal integration with Photoshop
  • Navigate multiple images seamlessly

ABOUT BEN’S CLASS:

Adobe® Photoshop® 2020 is a feature-rich creative force, perfect for turning raw ideas into audience-wowing images. With Ben Willmore as your guide, you can master it faster than you think and take on a new decade of projects.

Ben takes you step-by-step through Adobe Photoshop 2020 as only he can. With an easy pace and zero technobabble, he demystifies this powerful program and makes you feel confident enough to create anything. This class is part of a fully-updated bundle – complete with 2020 features and more efficient ways to maximize the tools everyone uses most.

Whether you’re a 20-year designer or you’re opening the app for the first time, this is the perfect way to learn and love using Photoshop. From retouching to masking to troubleshooting, Ben unpacks all the essentials and hidden gems, while giving you real-world examples to drive each lesson home. By the end of the class, you’ll feel eager to make serious magic with Photoshop 2020.

WHO THIS CLASS IS FOR:

  • Beginner, intermediate, and advanced users of Adobe Photoshop.
  • Those who want to gain confidence in Adobe Photoshop and learn new features to help edit photos.
  • Students who’d like to take ordinary images and make them look extraordinary with some image editing or Photoshop fixes.

SOFTWARE USED:

Adobe Photoshop 2020 (V21)

Class Materials

Bonus Materials with Purchase

Lessons 1 - 6 - Handbook 1: Introduction to Adobe Photoshop

Lessons 7 - 12 - Handbook 2: How to Use Camera Raw

Lessons 13 - 18 - Handbook 3: Making Selections

Lessons 19 - 24 - Handbook 4: Using Layers

Lessons 25 - 30 - Handbook 5: Using Layer Masks

Lessons 31 - 38 - Handbook 6: Using Adjustment Layers

Lessons 39 - 44 - Handbook 7: Color Theory

Lessons 45 - 51 - Handbook 8: Retouching Essentials

Lessons 52 - 59 - Handbook 9: Tools Panel

Lessons 60 - 64 - Handbook 10: Layer Blending Modes

Lessons 65 - 70 - Handbook 11: How to Use Filters

Lessons 71 - 74 - Handbook 12: Advanced Masks

Lessons 75 - 81 - Handbook 13: Using Smart Objects

Lessons 82 - 86 - Handbook 14: Photography for Photoshop

Lessons 87 - 93 - Handbook 15: Advanced Photo Retouching

Lessons 94 - 98 - Handbook 16: Warp, Blend, Liquify

Lessons 99 - 105 - Handbook 17: Advanced Layers

Lessons 106 - 112 - Handbook 18: Actions

Lessons 113 - 117 - Handbook 19: Troubleshooting Issues

Practice Images 1: Introduction to Adobe Photoshop

Practice Images 2: How to Use Camera Raw

Practice Images 3: Making Selections

Practice Images 4: Using Layers

Practice Images 5: Using Layer Masks

Practice Images 6: Using Adjustment Layers

Practice Images 7: Color Theory

Practice Images 8: Retouching Essentials

Practice Images 9: Tools Panel

Practice Images 10: Layer Blending Modes

Practice Images 11: How to Use Filters

Practice Images 12: Advanced Masks

Practice Images 13: Using Smart Objects

Practice Images 14: Photography for Photoshop

Practice Images 15: Advanced Photo Retouching

Practice Images 16: Warp, Blend, Liquify

Practice Images 17: Advanced Layers

Practice Images 18: Actions

Practice Images 19: Troubleshooting Issues

Ratings and Reviews

Student Work

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Reviews

Noel Ice
 

I am an avid reader of photoshop books, and an avid watcher of photoshop tutorials. I have attended (internet) several hundred of presentations. In the course of this endeavor, I have found my own favorite photoshop websites and instructors. Creative Live is probably the bargain out there as well as among the top three internet course sites. I have to say with great enthusiasm that the best Photoshop instructor is Ben Willmore. There are many great ones, but truly, he is the best I have come across, and, as indicated above, I have watched literally 100s of tutorials on Photoshop. I have seen all of Ben's courses, I think, and among them, this one is the best by far, and that is saying a lot, because that makes this course the best course on Photoshop to be found anywhere. I am going back and watching it twice. Not only is it comprehensive, but Ben is so familiar with his subject that he is able to explain it like no other. This is crème de la crème of Photoshop classes. I have been wanting to write this review for some time because I have been so thoroughly impressed with everything about this class!

ford smith
 

Highly recommended if you want to take your Photoshop skills to the next level. Ben Willmore is clear, concise, and professional. He also has a good speaking voice that is not distracting but also keeps you engaged. Lastly, I would recommend that as you become more advanced, increasing the speed of the video (one of the options given on the menu)...especially if you've gone through the course once before and maybe want to watch it again. The double speed is very efficient as you become more advanced in Photoshop. Thanks for the help Ben!

a Creativelive Student
 

Wow. I cannot communicate the value of this course!! The true value in this course is how the instructor identifies workflows you'll need before you'll ever realize it, repeats important information without it becoming annoying, and explains the "why" behind the techniques so well that even if you forget the exact method, you can figure it out via the principles learned. Excellent value, excellent material, excellent instructor!!!