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Gradient Tool

Lesson 108 from: Adobe Lightroom: The Ultimate Guide Bootcamp

Jared Platt

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Lesson Info

108. Gradient Tool

Next Lesson: Edit in Photoshop

Lessons

Class Trailer
1

Differences Between Lightroom Desktop and Lightroom Classic

19:42
2

Hard Drives

08:06
3

File Organization

08:31
4

30,000 Foot View of Workflow

05:36
5

Importing into Lightroom

04:10
6

Building Previews

07:14
7

Collections and Publish Services

05:11
8

Keywords

06:27
9

Hardware for Lightroom

06:08
10

Searching for Images

07:51
11

Selecting Images

14:15
12

Organizing Images

04:02
13

Collecting Images for Use

14:56
14

Develop Module Overview

10:15
15

Profiles

11:34
16

Basic Adjustments

11:45
17

Basics Panel: Texture, Clarity, and Dehaze

05:31
18

Basics Panel: Saturation and Vibrance

02:40
19

Tone Curve

09:26
20

HSL

04:48
21

Split Tone

08:19
22

Lens Corrections

08:32
23

Details

09:34
24

Transform Tool

05:52
25

Effects Panel

10:00
26

Synchronizing for Faster Editing

07:40
27

Spot Tool

17:51
28

Skin Softening and Brush Work

07:00
29

Range Masking

13:28
30

Dodge and Burn

17:36
31

Working with Specific Colors

08:30
32

Edit Quickly with Gradient Filters

11:22
33

Making Presets

13:24
34

Preparing Image in Lightroom

09:51
35

Content Aware Fill

11:14
36

Skin Repair

02:44
37

Skin Smoothing

14:39
38

Expanding a Canvas

04:30
39

Liquify

10:22
40

Layers and Composite Images

12:54
41

Sharing via Web

17:52
42

Exporting Files

10:47
43

Sharing with Slideshows

08:00
44

Archiving Photos and Catalogs

19:54
45

Designing

13:35
46

Making Prints

11:27
47

Color Management and Profiles

13:00
48

Archiving Photos and Catalogs

11:31
49

Using Cloud Storage

04:09
50

Adding Images to your Portfolio

09:23
51

Collecting for Your Portfolio

18:03
52

Publishing Unique Websites Per Project

19:48
53

Sharing to Instagram

07:06
54

HDR

15:32
55

Panorama

06:41
56

HDR Panorama

09:54
57

Making Presets

15:39
58

Creating Profiles

18:09
59

Maps

07:08
60

Setup for Tethered Shooting

23:21
61

Sharing with the Client

05:42
62

Watched Folder Process

07:04
63

Second Monitor and iPad

06:09
64

Backup at the Camera

03:50
65

Gnar Box Disk Backup

06:45
66

iPhone and iPad Review

12:52
67

Importing to Lightroom on iPad

02:59
68

Cloud Backup

04:39
69

Adjust, Edit, and Organize

07:46
70

Using Lightroom Between Devices

11:27
71

Lightroom Desktop

05:27
72

Removing Images from the Cloud

10:49
73

Profiles

09:34
74

Light

04:34
75

Color

05:36
76

Effects

15:22
77

Details

08:33
78

Optics

03:49
79

Geometry

04:12
80

Crop

04:39
81

Adding and Using Presets and Profiles

13:41
82

Local Adjustments

15:40
83

Healing Tool

03:29
84

Synchronizing Edits

04:57
85

Editing in Photoshop

08:54
86

Finding Images

07:09
87

Sharing and Exporting Albums on the Web

09:18
88

Posting Images to Social Media

14:01
89

Overview of Lightroom Desktop

07:35
90

The Workflow Overview

10:08
91

Organizing Images

05:10
92

Albums and Shared Albums

18:21
93

Lightroom Desktop Workspace Overview

04:36
94

Importing and Selecting Images

09:23
95

HDR and Panoramics

22:44
96

Light

07:47
97

Profiles

07:23
98

Tone Curves

02:57
99

Color

08:35
100

Effects

17:01
101

Details

12:43
102

Optics

04:05
103

Geometry and Crop Tool

06:01
104

Sync Settings

02:40
105

Making and Adding Presets

03:48
106

Healing Brush

02:21
107

Brush Tool

03:14
108

Gradient Tool

04:16
109

Edit in Photoshop

02:53
110

Finding Images with Sensei

06:32
111

Sharing Albums on the Web

04:57
112

Print through Photoshop

02:09
113

Exporting Images to Files or Web Services

04:36
114

Connecting with Lightroom Classic and Mobile Devices

05:24
115

Archiving Images for Storage

09:55
116

Review of the Workflow

07:20

Lesson Info

Gradient Tool

we're going to go beyond the brush tool into the Grady Int and the Grady. It you'll notice, has exactly the same tools in it. So it's just like it's. So if you've learned how to use the brush tool, you will also know how to use the Grady int tool. The only difference is that instead of brushing something in, you are creating ingredients. So I'm gonna grab up here and drag down, And I've just created a Grady int that 100% way up here at the top. That's 100% of whatever I'm doing and at the bottom is 0%. And Aiken grab on the middle and twisted around, I can expand it. Oops, I can expand it by grabbing the bottom line and expanding it, or I can move it and bring it in closer and further out. So now what I'm gonna do is I'm just gonna take this and bring in the highlights and bring the shadows. So I'm closing, getting in a little bit darker right there, and then I could do the same thing here and drag another one and notice that the second when I'm dragging, has the same settings is the 1...

st 1 So it's actually quite easy to just grab a number of these and just drag him in and create kind of a natural vignette. And speaking of natural vignettes, if I go beyond the Grady Int tool and I go to the radial filter tool, I can do the same thing. But just with a radio filter. So I'm gonna bring the exposure way down so you can see this. I'm gonna click on this and drag, and you can see how it's burning her face. But if I go and invert it so there's a little tool right here under the main Grady in effects. I can click on Invert, and now it's Everything outside of that circle is being affected and I can change the feather so there's no feather or a lot of feather, and then I could just take the exposure back out, and I can kind of just play with it. And actually, what I want toe happen is I wanted to have a little bit less contrast out there and maybe even a little less saturation. Um, and I want to take the clarity and not the clarity the D A's down, so I actually see I'm kind of lightening it up and making it a little bit foggy out there, So that's pretty cool. And I can then move this around until I have this centered exactly where I want it. And now I've done something completely different by creating a natural, uh, vignette. But it's a light vignette. Um, and I've done that with the radial filter. So if you get to know the controls inside of the brush and the Grady Int and the radio filter, they're all the same. The only difference is that inside of the radio filter or the Grady int, there's also an option to brush so you can go up to the top here, Um, right next to where you chose the radio grading and there's a brush option. You click on that brush option. You can then take a brush, and you can either add to the effect so I can kind of pain in these areas that weren't affected by the brush or I can erase from that area. So I'm erasing out the effect right here that's closer to the camera, and I'm that way. It's not hitting her hair, and it's not hitting her skin. So I now have mawr oven amoebic shape of If I hover over, see how I've got. It's not just a circular shape, it's actually exactly the way I want it to be. But I did the bulk of it with a Grady int or a radio grade in or the brush itself. So if you use these target, order these local adjustment settings, you can do a lot to your photograph and never even have to go to photo shop because you have the ability to not only do the global work inside of light room desktop, but you can also do that stuff burning and dodging and and a little bit of skins moving with the local adjustment brushes.

Class Materials

Bonus Materials with Purchase

Adobe Lightroom Mobile Cloud
Adobe Lightroom Image Pipeline System
Workflow in Adobe Lightroom
BW Preset Collection
Color Art Pro Profiles
Jared_Platt__Adobe_Lightroom_Image_Pipeline_System_(darker_version).jpg

Ratings and Reviews

Ira Richterman
 

I am truly a recreational novice in the photography world and this video is fantastic. Photography has become a very technical world both on the camera side as well as post production. Jared has great teaching skills and sure makes it look very simple. I would recommend this video for those starting out in Lightroom as this program can be overwhelming and has a daunting amount of information. I would like to know if there is a resource of location of contact to ask a question or two for clarifications as a viewer goes through the course. For example, when making a new collection and if you choose the option of making this new collection a target collection, what happens if you then make another new collection and select that new collection to be a target collection? If you click on B to add a photo to a target collection and you made two target collections then where does this virtual selection go, ie into which target collection? Thanks Ira irichterma@aol.com

Dan Clarke
 

This class was great. I've never used Lightroom before and now I feel comfortable in it. Massive amount of good info.

catherine Haggerty
 

Loved this class. As a beginner it really gives me working knowledge to use LR confidently. This class is older, so a few times I really had to stop and figure out how it worked in the newest version of LR... but all in all this class was amazing!

Student Work

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